"Everything a Director needs to know about camera work is brilliantly presented. It's film school in a box."

Sam Simon, Writer / Producer / Director, The Simpsons, Cheers, The Drew Carey Show, Taxi, The Tracey Ullman Show, Friends. 9 time Emmy®-Winner.

"Hollywood Camera Work is the ultimate 'When to, Why to and How to' instructional tool for directing and cinematography in live action or CGI. It should be required viewing in order to graduate from any film school. Where was this DVD set when I was going to film school? Of course, I had no way of watching it back in 1979."

Keith Alcorn – Co-Executive Producer / Director, The Adventures of Jimmy Neutron, Boy Genius, The Ant Bully (DNA), Academy Award Nominee

"I am thoroughly impressed with this DVD Set. It is stunningly comprehensive, and it succeeds at teaching high-quality (and high budget) camera-work. The 3D animations pinpoint techniques like nothing I've ever seen. It is easily the definitive course on blocking and directing, and in a league of its own."

Marc Griffith, Emmy®-Winning Documentary Producer/Editor

DIGITAL MEDIA NET REVIEW

"...Hollywood Camera Work is a true hardcore learning course. The content and examples are masterfully done ... For any true cinematographer or videographer who is looking to make his/her shots work, you must purchase this training DVD. I give Hollywood Camera Work a Must Buy Recommendation."

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SCRIPT MAGAZINE REVIEW

"If your passion to direct equals the immense knowledge necessary to be a master director, you won't find a better training ground on DVD."

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SHOOTING PEOPLE REVIEW

"Hollywood Camera Work is a top training resource, which anyone working in filmmaking can benefit from, and not just for drama ... This is a Director's tool with the widest possible application."

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MACHINIMA.COM REVIEW

"Hollywood Camera Work isn't pretty good. It's absolutely bloody astounding. After 7 years and 16 films, I'd expected I had a fair idea of at least the basics that the course covers in the first four or five chapters of the DVD, but I learned a massive amount within the first 20 minutes..."

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FILMMAKING CENTRAL REVIEW

"Forget Film School! Go buy a camera, write your script and watch Hollywood Camera Work. Then go make your film. Filmmaking Central gives The Master Course in High-End Blocking and Staging Five Stars."

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CG ARENA REVIEW

"Must Buy Recommendation."

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DVUSER (UK) REVIEW

"There are very few things that can get me up at 5.00am to study and develop new skills but this unique and truly remarkable training resource is one of them."

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"Hollywood Camera Work is hands down the most informative and complete DVD collection on the market. Basics to advanced topics are clearly explained and easy to understand through use of animated previsualization style examples. The Master Course In High-End Blocking And Staging has changed the way I plan and execute my scenes. "

David Weinstein, Director / PreVis Artist / Animator, Star Wars: Episode 2, Matrix Reloaded & Revolutions, Narnia 1 & 2, Monster House

"The whole program is wonderful! I've directed four feature films, produced eight features -- was the VP of Production at 20th Century Fox for 4 1/2 years and I still learned a ton from watching the videos!

I recently directed Behind Enemy Lines 2, and I would fall asleep at night watching your videos so that I would dream about the techniques! Great stuff!!"

Jim Dodson, Director, Behind Enemy Lines 2, Vice President of Production, 20th Century Fox

"I recently have purchased the Hollwooodcamerawork DVD set, and truly was amazed by the amount of information and content these DVD's include.

Working as a Visual FX Art Director in the Film Industry, creating 2D and 3D development work, I really want to get more in depth information related to Directing, filming techniques and set up of camera and in general cinematography. I really love the fact that I can sit back and watch hours of footage created in 3D, that shows me exactly how to think on set, as well as animate the camera within a CG environment to set up a digital scene.

The DVD's also came with the project files and other related useful documentation, which is what I was looking for. I already learned so much, and also recommended this set to my students at the Art Center College of Design.

Thanks for making such a huge library and the years of experience available to the Industry."

Alp Altiner, Visual FX Art Director, Spiderman 3, Superman Returns, Fantastic Four 2, Alien Versus Predator #2 (www.alpaltiner.com)

"This series of instructional videos provides an extremely intuitive insight into the power of the camera as a narrative device. Prior to using these videos in the classroom, I would describe camera angles by dancing on the tables, turning around with my fingers shaped like a box, and drawing several dozen thumbnail storyboard sketches, followed by a "do you get it?" I'm usually greeted by timid nods and blank stares.

Now, I get a visible "ah hah" on the faces of these budding 3d animation artists. I have seen the quality of their camera work improve dramatically, and their story development grow by leaps and bounds. I only worry about the work of the students who don't get the opportunity to take my class. I have been evangelizing this series to as many instructors as I can at the Illinois Institute of Art/Schaumburg, both in the 3d animation department as well as the digital media production and video programs."

Christopher Tedin, Instructor - Illinois Institute of Art/Schaumburg

"I've been in the industry since 1975, in television, commercials, and feature films. This series feels like you get to sit down with a true professional and get the inside scoop. I did a series of commercials with Vilmos (Zigmond), and he spoke in much the same manner. It is excellent! Thanks!"

Will Guest (I've done miniatures and SPFX on Galactica, Superman, Star Trek: The Motion Picture, Wrath of Kahn, the BeastMaster, etc.)

"I get asked all the time for books on staging and camera movement. While there are quite a few out there, I just don't like them. Why? Because they are books! And they are books that focus heavily on storyboarding to illustrate technique. A pretty limiting way to learn--especially since I hate storyboards!

I was lucky enough to learn from a great director, Alexander MacKendrick, at California Institute of the Arts. Given that experience, everything I could recommend was sorely lacking... until now. Yes, just for you dear reader, I ordered a copy of Hollywood Camera Work to see if it is something I could recommend. I can tell you right now that its hefty price tag is worth every penny.

Hollywood Camerawork is a massive 6 DVD set of how to work with a moving camera. Nine hours of instruction! And I mean a real nine hours--if you blink, you WILL miss something. As I told a friend recently: "It's Sandy MacKendrick in a box!"

Dan Selakovich - Author of Killer Camera RigsThat You Can Build. (link)

"The Master class is by far the best training material on blocking actors and camera work that I've come across. It teaches working with camera the way it should be taught--visually, and with a myriad of examples, building a comprehensive approach to this aspect of directing in a way that can be of value to people just starting out or those at a more advanced level. A resource to be watched and rewatched!"

John Helliker, Director, "Reluctant Angel" 35mm feature film, Silver Medal Houston WorldFest / "Screech Owls" episodic television, Discovery Channel

"HCW has revolutionized the way I teach cinematography, it visually communicates a visual skill. I plan to expand our use of HCW. It will become the required "text" and the book will be available in the library for reference only. I guarantee our students will appreciate that."

James Ball, Instructor, Southern Digital Institute

"After studying the dailies from the show I work on, "Malcolm in the Middle," all of the camera and character blocking was way over my head. But after spending a lot of time watching these DVD's and doing various exercises Per came up with, I feel my own understanding of camera work has grown exponentially. I know the next project I do will be at a much, much higher level than the last. This DVD set is unparalleled."

Bill Hooper, Writers' Assistant, Malcolm in the Middle

"The Hollywood Camera Work DVD is the most comprehensive approach to cinematography ever made. It's film school in a box. One of my favorite things about the dvd set is that it shows you the shots as they are edited together, what works and what doesn't. Each disc is just loaded with information. Highly recommended!"

Ed David, Director of Photography/Editor Kitty Guerrilla Films, History Channel, HBO, A&E, and Biography Channel

"Thanks so much for all the effort you put into this course, you obviously have a generous heart and really do want to help others get to the fast track of making good films!"

Don Mc Kim, Director "James Taylor October Road Tour 03", Camera Operator, Paul McCartney 04 Summer Tour, Dolly Parton, Gloria Estefan, Toby Keith, Jimmy Buffett, Reba McEntire, Martina McBride, Alabama, Brooks & Dunn, Jo Dee Messina

"I can't think of a better system for quickly learning high-end camera techniques. This is information that has to be 'seen'. Worth the investment."

Chad Fahs, Author, "HDV Filmmaking", www.chadfahs.com

"By far the best instructional film-making DVD out there (and there are many). What's fantastic about this set, is it is utilized by ALL our instructors - directing, editing, cinematography, and the students can't get enough of it. And I'm serious, this is hugely popular. Only the book "In the Blink of an Eye" by Walter Murch rivals it in student popularity! Gosh, are you guys trying to put us out of business!"

James Fernald, Screenwriting Dept., European Film College (www.efc.dk)

"As an editor in feature films and network television (and a sometime director), I found The Master Course in High-End Blocking & Staging an invaluable tool. I have become obsessed with commiting the massive amount of information contained on the DVD's to memory by going over and over them again.

My editing work has already become more fluid and natural, and I am much more informed about what the directors who shot the material were doing (or not doing) when they shot it. The emotional impact of a shot choice or well chosen camera move have been added to my editing arsenal and have made my work more powerful and interesting.

I have the opportunity to do some directing over the next year or two, and with the Master Course at my disposal, I feel that I am getting prepared to confidently make decisions in the field that will maximize the material I am working with. My bachelors in film and video only began the teaching I needed to be creative and focused in the field and the editing bay. The Master Course completes it. I can't wait for the Directing for Special Effects course. Keep up the good work."

Jason Stewart, Editor, Extreme Makeover (ABC), Fashion House (FOX)

""Bravo!" Per Holmes has succeeded in creating a landmark treatment of the essential use of the cinematic camera. With an economy of delivery and many succinct examples, Per presents timeless fundamentals and practical considerations for effective and elegant cinematography. To know this material is to approach even the most elaborate production with confidence and create shots that bespeak of a mastery of the craft."

David Brickley, Supervisor Previsual Animation, Evan Almighty (2007), Universal Pictures

"Hi Per, I've been telling everyone I know about your course. It has changed the way that I block and shoot. After 30 years in the business, I thought I knew everything. Thanks for proving me wrong. "

David Hurd, Director

"I operate a small market TV channel. I have to create content fast and on a budget. My background is in "run and gun" videography. Before watching Hollywood Camera Work I really struggled to direct staged programming. Now I am producing 3 shows a week and doing REAL directing. The pace of the course was perfect. If I had asked someone to develop a course tailor-made for me, they couldn't have done any better. Anyone who wishes they had gone to film school, or needs a good no-nonsense refresher course, should purchase this product. In fact I'll make a slogan for Hollywood Camera Work that sums up my experience. Purchase with confidence, and begin filming with confidence. Best of luck to you guys. You are one of the few that really "gets it" in the training industry."

Bryce Walker, Supervisor, SFCN

"I can't think of anyone on "this" side of the camera who *can't* use this thorough, clear, detailed journey through the interpretation and movement of the frame. As much as I thought I knew, I learned much, much more - and continue to as I review it time and again. Thanks, Per."

Colleen Patrick, Writer/Director, www.cameracoach.com

"This one is simply the definitive course on camera work, and is sure to become the canonized staple in the life of every filmmaker. Clear. Concise. Comprehensive. The course is an absolute must."

Ela Thier, Writer, The Wedding Cow, Screenwriting Teacher

"You did an amazing job on it. I am a 3d Artist at The Mill Los Angeles (post-production facility), and I am really into camera work and previz. I do believe this is an essential tool nowadays, more important than a powerful renderfarm.

Your DVDs are really efficient, I am really into it, even if the Poser characters are a bit boring. For someone who wants to get into camera work, you created the masterpiece tutorial! Congratulations, even if I am used to most of the things you talk about -- this is a new Bible for saving time and space in camera blocking, and hopefully at some point all I get to see on theses dvd's will feel natural way of working thanks to you. Thank you for your great work."

Xavier Zahra, 3D Artist, The Mill L.A.

"Hollywood Camera Work's Master Course in High-End Blocking and Staging is the most comprehensive, easy-to-follow, guide of its kind. As a Producer turned Director, I was looking for a guide to help better prepare my storyboarding process and to give me a "pre-visual" of what I might expect with certain blocking and camera movements for my shot-list. This DVD series was more than I dreamed of having as an aid to that process.

The precision, three-dimentional animation and the vast scope of blocking and staging included in this series transcends any possible training or course material covered at any film school or university in the world. For the price, it should be a must on any Cinematographer or Director's shopping list. It's worth every penny."

Michael Pacino, Latin American Film Producer, Director, Writer, with over a thousand film and video credits.

"I bought a copy of the Hollywood Camera Work Master Course and ever since has been around with me all the time, no matter how far I have to travel to shoot. It's become one of those things I jelously keep among my very personal stuff, I now cannot live without it. I watch a few chapters everytime I can, on the plane or before going to sleep, and I can never stop thinking what a priceless piece of work this is. Thanks a lot Per and please keep it up because I can't wait to get my hands on your next course."

Enrico Trippa, Advertising Film Director, Spain/Italy

"I bought this as a skeptic and I have to say after just watching the first video I was blown away with the amount of information crammed into this course. The insight into the psychology of the viewer is astounding not to mention the techniques of the camera. This is more than just a tutorial on camera use, it's an entire philosophy on the art of cinema."

Dustin Dooley, Progenitor Productions

"I am producing/directing a children's video program. Being located far from a major production center, I originally purchased the Per Holmes' series upon recommendation of Scott Billups as just an orientation to directing and blocking. I'm glad I did! It was money very well spent. The Master Course in High-End Blocking & Staging course will save me a lot of money, save me a lot of unnecessary grief, and save my project from the unforgivable sin of looking amateurish.

You can take a lot of courses on filmmaking, movie production, etc. and still be left in the dark about what is actually required to direct and produce quality camerawork. At the very least, you will have two important realizations as you watch the course. First, the cost of quality production is tied directly to the time it takes to set up multiple shooting angles (i.e., all the people standing around doing nothing while dallying with the camera setup). Second, it's going to be hard to find a camera operator or director of photography or whatever on a limited budget that can approach the quality of work taught by Per Holmes's course. (The guy who works at the local TV station or who makes wedding videos just won't do.)

I've seen larger budget movies (you know, the ones with the house trailers and noisy generators) disastrously fail to even approach the camerawork quality standards that you can learn yourself in the course. By obtaining the equipment recommended and studying the techniques taught, I am confident that my production will have quality blocking, edit together smoothly, and convey to the viewer a high sense of quality.

Even if you do not intend on doing the camerawork, the course pays for itself a hundred times over as a benchmark for judging and evaluating demo reels from the director of photography you are considering for your project. (It may make you rethink that hire.) The only criticism that I have about the course is that I will never be able to watch another episode of Star Trek - the Next Generation without thinking of Per Holmes' course."

Phil Brockett

"No School in the world can teach better these dvds. They changed my performance from an amateur to a professional. Whenever someone appreciates my work I thank each and everyone who contributed their time, effort and energy in developing these DVDs."

Dinesh Potluri, D.P., HIDEF Technologies

"I bought this course and thought it was exceptionally good. This is only the third time in 25 years that I am giving a course 10 out of 10. It has great clarity thanks to a very focused delivery, using 3D animation that is much more helpful than live footage would have been. It has great depth and breadth. If you think you can watch these DVDs and go to the bathroom without hitting the pause button, forget it. There is no fluff and no slack in this course.

Regardless of what you are shooting, this will help you get better. Even highly experienced DPs may find that what they thought they knew completely actually had some additional twists.

I bought this course two weeks ago after seeing a posting on 2-pop, and frankly didn't know what to expect. The free samples on the web site looked competent though, so I thought I'd risk the $500. It was well worth it, thanks to its meticulous thoroughness. No stone is left unturned and I doubt there is any film school course that can even get close to this level of clarity (for this particular subject). Highly recommended."

Bjorn Ahlen - Producer/Director/DP, Los Angeles

"First of all, I would like to thank you for putting together "The Master Course in High-End Blocking & Staging". This is the kind of information that I have spent the last 10 years trying to find. I have read almost every book on Filmmaking / Cinematography and watched countless "behind the scenes" DVD special features and I have learned more about filmmaking in one viewing of your DVD course than I have from all of those aforementioned sources combined.

"The Master Course in High-End Blocking & Staging" is an absolute must-have for any aspiring filmmaker. The work of beginning filmmakers and even novices would benefit greatly from your Master Course. I learned even more from subsequent viewings of the DVDs. Because the course is visually-based, the comprehension of the filmmaking concepts is immediate and has already impacted my work.

I highly recommend "The Master Course in High-End Block & Staging" to anyone interested in filmmaking/cinematography. It will put your work light-years ahead of anyone not familiar with these concepts and techniques, allowing you to move from novice to pro very quickly. This should be first on the list of any aspiring filmmaker even before they buy a camera. I wish this was available when I first started. I am also looking forward to Visual Effects For Directors."

Brian Brooks
Producer/Writer/Director

"I doubt my testimonial would be of much value, as I am but a simple video director/editor at the local commercial level. I don't own my own company, and I have a family of 5 to support. Not a lot of room for risk, the way I see it.

But I will tell you, from my heart, that your series of DVDs, which I have yet to finish, has done more for me and my limited career than any other single influence -- period. I absolutely love the philosophical approach -- the emphasis on meaning -- being attached to every suggestion and observation. No dry formulas. Lots of observation.

If I were not a working man, I would sit and watch them over and over until I had each one committed to memory. Because I know, that when I can think the way you have presented these DVDs, my direction will be as creative and as complimentary to any of the other creative forces at work in any production process. I love a challenge, but it's also important how I meet that challenge. "Winging it" is never satisfying, but neither is playing it safe. Your DVDs provide a framework of thought, from which a philosophy of approaching each subject can help direct not only the cameras, but also the momentum and flavor of the story.

I am so grateful that I took the opportunity to buy those disks, and should I ever do anything remotely interesting, I am going to send you a copy just to prove how valuable your course has been for me. Again, in the world of film, I'm pretty much a nobody, but I wanted to at least thank you personally for what you've done."

With nothing but gratitude, Glen Hurd

"I wish I would have had your DVDs to train myself with during film school! I learned more production technique and visual storytelling language from your DVDs than from any teacher or book. You truly did a wonderful job. I have several friends whose arms I had to twist to get them to watch just 5 minutes, but then when they did they begged to borrow your DVDs."

Geordie Martinez

"I have been preparing 2D and 3D animations for some time now and as the programs and my abilities advanced so too did my areas of weakness. Topping my long list of weaknesses was the use and power of “the camera” within a 3D animation. My knowledge was limited to the creation of the scene and then just “plunking” a camera where it could capture the event.

While I am still trying to absorb all that your course has to offer, my presentations have already made a quantum leap forward in final product quality. I may be the rest of my life trying to master the art of the camera but at least now I am moving forward in this area.

Your course is both informative and entertaining, making it a true joy to work with and learn. Most beneficial is my ability to go back as many times as needed to revisit a lesson when trying to recreate a technique you present in the course. So much would have been lost by me had I taken the same course in a classroom setting where the lesson would only have been presented once."

Gord Frost, NAV CANADA

"This series is a real eye opener and exactly what I was looking for. I really feel like I know what I'm doing now."

Stuart Denbigh

"This training is PACKED with information. It appears that very little is left out of the discussion. The pace is rapid, but with a DVD you can review the material at your own pace. The unique idea of using simplified 3D models staged in a basic background makes the training accessible, easy to understand, and retain.

You can see clearly how certain shots will give emotional effects despite the complete lack of acting on the part of the 3D figures. I have gained a tremendous knowledge of cinema techniques just in the first volume alone, and there are five more beyond that! Now, when I'm viewing movies, I am seeing exactly why a shot is made a certain way, and I am able to transfer these ideas to my own work. Hollywood Camera Work is several years of intense film school captured in a six volume DVD set."

Mike Perry

"Thank you, for creating the "Master Class" DVD. Where were you 15 years ago when I started in the film & television industry. Your DVD set provides some well-needed tips and techniques that people can immediately put into place which will allow them to achieve a more simplified, and clutter free shoot or indeed have the knowledge to block out a very complicated scene without frying their brains on set. The only criticism I have is that you've left me wanting more, which is certainly a positive testament to your skill as a working professional and the timely and relevant content of the DVD set. Thanks again, Per!"

Rich Steel, Steadicam Owner/Operator, www.steadicams.com

"Absolutely the most comprehensive instructional videos for blocking and staging that every Director and Cinematographer must have in their arsenal. The professional grade material is presented clearly and succinctly for both amateurs and professionals alike. Forget wasting your money on film school - everything you need to know is included in the 6 DVD set. There is no competition."

Keith Cottingham, Artist/Director/Producer - represented by Ronald Feldman Fine Arts, NY

Inwhan Yeo, Director/Producer

"A professional crash course in High-End Blocking and Staging that taught me many tricks of the trade and made me save a lot of money and time."

Armando. Lago, Digital Dreams Factory Animation Studios

"I remember the day I first discovered The Master Course in High-End Blocking & Staging online. I was hooked after the first demo, and could not wait until they arrived in the mail. I have watched them three times all the way through, and watched bits and pieces more times than I can count. They have revolutionized the way I think about camera movement. I can put a name to every technique that I see employed on TV and in the Theater. If I advance as far as I hope to in this business, it will be thanks in part to the ingenuity of the team at Hollywood Camera Work."

Josh Ryan, Student, Temple University, Philadelphia, PA

"The Master Course in High-End Blocking & Staging DVDs are an invaluable resource for me because Im a full time student and dont have a lot of extra time to explore all of the movie making reference material thats out there. With the dvd's I can find an answer for a scene that I want to set up and move on without a lot of downtime. Its also not a "do it like this ONLY" type deal. The instruction teaches principles that the artist/filmmaker can then use and/or manipulate in the best way they see fit for the project. I definately got my moneys worth! Special thanks to Alex Lindsay and the Pixel Corps gang for reccomending it."

Owen Albertson

"It's all very well reading the books, taking the lectures and questioning the practitioners, but there is no substitute for actually *doing*, with perhaps one exception: The Master Course in High-End Blocking & Staging. As a multimedia-designer, I don't have access to a set, a half-dozen cameras, a dozen actors and spare days to learn, but I do need to know this stuff to brief my suppliers and budget the shoot, whether it's real or CGI.

With these DVDs I can 'direct' from the comfort of my armchair, plot the camera angles, judge the effects of different lenses, block the scene and watch the 'actors' move, and see the final effect on screen just as I could by actually looking through an eyepiece and exposing film. And what's more, I have a master director shadowing my every move and telling me *why* I'm doing it. While it's still not as good as actually having done this stuff in reality, it's as close as I am likely or need to get, a damn site easier and cheaper, and I'd lay bets my suppliers think I *have* been behind an actual camera..."

Andy Warwick, Creed New Media

"All my life I have been very interested in making movies. Not big Hollywood productions but just anything, and whenever I could. Shooting on VHS and editing between 2 VCRs was something I spent a lot of time doing in my early teens. Eventually felt that I had a good sense of where the camera should be but never felt totally comfortable in that area even with years of practice.

I watched the first HCW DVD and later that night when a popular action/drama was on TV I could easily see the techniques the HCW DVDs had laid out and why they worked. Camera work suddenly made much more sense in my head. The rest of the DVD set just kept giving me more and more valuable information. Thanks for making such a great teaching tool."

Rob Cleaton, VFX Artist

"Hollywood Camera Work is a fascinating tool for anyone wanting to improve their ability to make films. I had no idea how much I didn't know before I watched these DVDs!"

www.officerockerproductions.com

"We just received the DVD's for the Master Blocking course and I must say you guys have done a bang up job explaining the process! The use of 3D is dead on perfect for explaining the different shooting scenarios and techniques. We have only finished Disk 1 so far but are thoroughly impressed! We eagerly look forward to viewing the rest.

Your narrator is fast, authoritative and easy to understand (kudo's to the writers too). I'm a Visual Effects Supervisor for the last 15 years and a union DP and I've been watching them with my partner, a first time director up here in Seattle as we endeavor to shoot an independent film here shortly. The timing was impeccable for these to come out as we are shooting in mid-August (I'm DP'ing with a Sony 900 HD).

It really is a master course in directing and blocking with camera. For me it's a great refresher course and for my 50-something friend an invaluable aid in even better understanding camera placement even though he already has a fairly good understanding of the process.

All you need are these DVD's, Dov Simen's book "FROM REEL TO DEAL", a screenwriting course and you're on your way! You can learn more of the nuts 'n bolts from these disks than in 1-4 years of film school.

Once again, fantastic job! Look forward to your VFX for directors disk too."

Paul Gentry, "THE AUDIENCE STRIKES BACK", Producer & Director Of Photography

"I teach a high school class called Electronic & Video Imaging. After presenting basics of camcorder operation, I focus on framing the shots and camera movements. Your Master Course in High-End Blocking and Staging is excellent in demonstrating the moves and showing the many options that contribute to making a master shot. The serious students get quite an opportunity to learn by seeing how the pros do it!"

Joe Schildkamp

"The Master Course in High-End Blocking & Staging” is a MUST for anyone working with film or video. I really like how it encourages the thought process, so the scenes can be shot quickly, efficiently. As a motion graphics artist, this series has helped me understand how to use the camera to tell a story with more impact and clarity. Thanks for the Great Learning Tool."

Damon Adamo, Freelance Motion Graphics Artist

"The Hollywood camera work DVDs they are truly a fantastic resource, so packed with information that at times it is truly scary, and yet all the information is presented in a truly intelligent way which makes it very easy to put to work straight away. Top marks all around."

Karen Bradley, Geonome

"This material is unlike any I've ever seen. It has provided not only instruction but also inspiration to our young students. Their minds have now been exposed to the powerful tool that camera angles and movement provide for use in cinematic storytelling."

Stevan Speheger, Director, Fresh Fire Media, First Assembly of God, Lafayette, Indiana, www.freshfire.tv

"I think you did an outstanding job! I like how utilized the 3D "actors" so that they were there to support the concepts of the material, not an animation project in their own right. I like the small touches of how some of them would be "grayed out" when they played a smaller supporting role in the scene. I found the disks I've watched so far to be clear, concise and informative. The DVD's don't contain a lot of extraneous fluff. So I found myself engaged and learning."

Chris Froberg, Eye Popping Graphics

"This release fills an important gap. With full utilisation of modern technology, it clearly elaborates on the job of the cameraman, one cornerstone of Hollywood movie-making looking back to a development of 70 years. The DVD makes it possible for everyone to tell his/her own story in a language spoken by billions on Earth: the language of the movie."

Istvan Zorkoczy, Animation Director, Digic Pictures

"I have found your "Master Course in High-End Blocking and Staging" to be an invaluable tool in the production of my Documentary, "The France I loved -- La France que J'aimais.” This is my first professional production of this magnitude, and your course gave me many new techniques, which greatly improved my film. Thank you."

Roger-Pierre

"I recommend "The Master Course In High-End Blocking And Staging" to all serious filmmakers out there. It is powerful and inspiring. I will not start another project without first asking my cameramen to purchase and watch these DVDs. The useful staging and camera blocking terms tought in these volumes help me save a lot of money and valuable time communicating to my crew so I can spend more time with my actors. I wish I had this learning tool 15 years ago."

Sia Tavakoli, Writer/Filmmaker

"I ordered Hollywood Camera Work several months ago and since then it has helped me visualize new ways to tell my stories.

I'm no novice to filmmaking, but this extensive library of cinematic camera techniques was a real refresher course for me. The course is logically ordered starting from simple and basic rules that can assist beginners to advanced camera and blocking techniques that even seasoned pros can find useful!

Now when designing blocking I will refer to one or two of the course DVD's as a quick review, now with my technical knowledge refreshed, I can concentrate on the creative work of making my films more visually dynamic.

I highly recommend this valuable reference tool to any filmmaker who wants to truly understand not only what techniques are possible but also how they operate on the audience. In this way experimentation becomes less of a guessing game and more of a creative science."

John Lipsz, Montreal, Quebec

"We had a group of 3d animators that needed to get up to speed with the language of film and rules of blocking and cameras. After watching the DVD's our animators were much less frustrating for our Director to work with. They are excellent teaching tools and very comprehensive."

Geoffrey Hancock, The Nerdery

"For not coming from the Film industry, these videos were a great insight into blocking and the techniques to create mood and smooth transitions. It was particularly helpful to see the set layout as a whole and understand camera placement and movement, and then see the resulting shot that is created. Very thorough and very helpful."

Thanks, Tyson Kartchner, Sketchup

"I have taken two semesters of film study and put together they do not compare with just one Hollywood Camera Work DVD! These DVD's are totally awesome!"

Reg Robinson

"These disks are amazing. I mean, truly amazing. I learned more things from this set than I have in any other forum or medium. Watching practical examples through the 3D animations is exactly the way I learn. As I was watching, I was anxious to get up and try each and every move and technique. Each chapter and each technique is perfectly laid out and explained. I understood the entire series - and that's saying something for an educationally challenged guy like me. If you're like me and learn through example, and knowing the reasons why a technique works and the theory behind it, this set is definitely for you. I recommend them highly."

Matthew Roddy, Producer/Director/Editor/Animator

"I want to buy your company and shut it down so I'll be the only one who truly understands how cinematography really works in this business. Please don't be too successful with this."

Craig Brookes, Blue Dahlia Films

"I think it's a great product. It's easy to understand and practical.I really enjoy it!"

Lo Ka-Wai

"This course is very, very good. I applaud you for producing such a valuable training course! I am looking forward to watching and then re-watching the DVDs"

Brent Peterson, Director/Producer, Sandia National Laboratories

"An absolutely fantastic DVD set that visualizes key concepts for the aspiring cinematographer and director. Contains so much valuable information that you will want to hold onto these for review many times over. Very powerful and highly recommended!"

Brooks Halliday

"I just had to study the first DVD for five minutes before I felt "WOW this is exactly what I've been looking for". Every sentence is filled with experience and so much knowledge. I feel I have learnt a new way to analyze movies to. Even though I knew it before it becomes even clearer new; everything is planned in a movie. A slight camera move is there to express something specific."

Gustaf Sylvin, Ericsson

"I am very impressed with the Course.

I have read as many books about film directing as there are in amazon.com (Steven Katz, David Mamet, you name it). There were some insights but nothing that could really help me become a much better filmmaker. I still saw my favorite movies and wonder, how did they do that? Why does it look so professional, so cinematic?

Now I know. After watching the first 4 volumes now I can see all those movies and go: "of course, that was a handoff, with deep staging, then a pan reveal pivoting on the object in the foreground". Now I understand the cinematic language that was elusive to me.

I am now ready to face the new challenges in my animations and hopefully in live action. I cannot say that I am already a better filmmaker, because it is still difficult to speak this new language. But I can understand it much better, and in doing so I am learnig from every movie I watch. Lots of movies that I admired, are now beginning to surrender their secrets to me.

On the last two volumes I can't say they have worked for me, because I have not filmed anything since I got the course. I still have my doubts about the annotation system, and sometimes it looks to me as if some of the tracking shots are too difficult for live action. I constantly wonder if this is the way my favorite directors work, or if it is worse, or better."

Ricardo Cobo Audry, Mexico

"The Master Course in High-End Blocking & Staging is a good analysis on camera work especially for stories with a lot of dialog. It helps to focus on your own staging & blocking. With the 3D Visualization you can get a better mind of what a good DoP can influence in storytelling and therefore what solutions are a minimum for the editor to make a scene hit its goal of interest. High-End Blocking & Staging helps stabilize your work and it can also give good solutions in quick setups as like for documentaries or TV Series.

I recommend to watch these DVDs to those with average experience, and those who want to optimize their work in directing, camera or editing."

David Bruckner

"I was always interested in cinematography, blocking and staging. Being a big self learner and always wanting to know why are the things this way or that way, I always asked myself (at least before I got the set:) questions like this: Is blocking and staging just creative and artistic or is there a science behind it; if there is - how much? And how do I learn it?

Reading the books on cinematography was helpful, but still - the still pictures and words never really gave much of visual explanation. Hollywood Camera Work set has been an incredible tool to explain the techniques I wanted to know about. It covers way more than many DPs or directors know and use. It showed me how to tell my stories dramatically through camera angles.

The way the set is done is an amazing concept - it takes expressionles 'computer-generated' models in a 3d space and explains the camera angles as if you are an observer on the set, and then shows you the work of these cameras. If you were to read a book on this with pictures, or attend a seminar - there's no way you would learn as much in such a short period of time.

It is a very valuable asset for any filmmaker to have in his/her library. If you have a solid script, add great actors performances and what you learned from the this set - you have an incredible product.

The DVD's are definitely not a 1-time watch. I want to go back to it, try to remember each technique and master it on actual shootings. If you study the set, your camera work will be, just like Stanislavski once said: "The difficult becomes -- habitual, the habitual -- easy, and the easy -- BEAUTIFUL".

Thank you for such an incredible package."

Alexander Alexandrov, Producer, Independent Films

"Can you imagine how difficult is to find good material in south america? We have a very deep tradition on creativity, but after HCW I learned that all creativity cannot be supplanted by such comprehensive stuff. Outstanding!"

Luiz Roberto Meira, Brazilian Executive Producer

"If you've tried to read "Grammar of the Film Language" by Arijon or "Film Directing Shot by Shot" by Katz, then you know how difficult it is for a book to convey this kind of information. When I first watched the Master Course, I felt like those books had come alive. I also thought to myself "video is the perfect way to convey this material, books just can't do it right!" This series is a must-see for anyone who wants to direct. It's worth every penny. It's the perfect gift for anyone who wants to become a director. I plan on watching the whole thing every 18 months or so. Did I mention I really, really like it?"

John Cordell, Writer / Director / Producer, CordellWorld Producctions

"I knew how to deal with cameras, though only the basics so my knowledge was somewhat lacking. So i decided to purchase The Master Course in High-End Blocking & Staging. This has been an incredible experience. My knowledge has increased ten fold as these DVD's are jam packed with quality training. There's more information on these disks than i even knew existed about camera work.

Without this set who knows how long i would have stumbled along doing the same things over and over. I now have the knowledge to tackle almost any project and when it comes to dealing with cameras, for every conceivable shot, i feel like i have a multitide of options which gives me a lot of artistic licence and also gives me tremendous confidence. With a little more experience i'm sure i'll have the skillset to create work on par with the pro's.

I cannot praise this training set enough. There's nothing around that compares. "

Steve Mclean

"I have had past poor experiences with learning anything from a computer. This product completely turned me around. If all computer-based learning were this good, this intense and this involving we would not need schools anymore. I am amazed."

Chris Byrnes

"This Master Course in High-End Blocking & Staging has been a blessing for me. I've spent most of my career in audio and concert production, so, when I formed the Films & Digital Cinema side of Lighted Path Entertainment, I needed the very best training tools for all of the creative applications and equipment that I purchased. We shoot in 24p and I feel that The Master Course is truly all I'll ever need next to just plain shooting and experimentation to get the best results out of our productions. The course's attention to detail is what gives me confidence that I am being taught the proper techniques of the professionals. With time and practice, and with this course at my disposal, I know I can handle the challenges of bringing our visions to fruition. This course is a permanent and invaluable part of Lighted Path Films | Productions' training materials.

Thanks for creating it and making it available at an affordable cost."

Keith Hill, Lighted Path Films | Productions

"Hollywood Camera Work is a must-have resource for independent filmmakers. It will help you put real production value on the screen."

Christopher Cook, Strange Stuff Productions

"The Hollywood Camera DVDs series are fantastic! As a Weddding & Events Videographer it has helped me tremendously.

The course teaches me how to express my artistic view of how an event is interpreted. The ideas in this course allows me to expand my abilities as a videographer and allows me to be more creative than ever before.

Also, as my production values increase (by using this course) so do me fees I charge for my projects. This product is a blessing! Thanks, Pers for creating such a great product!!"

Jaime Espiritu

"In my opinion, HCW is just one of the best tool for a DoP/Director. You'll never find something like that in a book. Easy, practical and full of informations. I recommend it to pros and beginners. Nine hours of fun."

Fabrizio Sciarra, Director of Photography, www.hdunderwaterfilming.com

"Going over budget often triggers a penalty in studio features and is a disaster for indies. Per Holmes is to be given credit for an inimitable achievement : his course equips the viewer with techniques to not only shoot cost-conscious without relinquishing artistry but tutors artistic mastery."

Christian Schrade, Entertainment Lawyer, Germany

"I never really gave too much thought to moving shots and staging in my creations. Composition was always important, but my compositions themselves never had much depth/meaning. After getting the Hollywood Camera Work set I'm approaching my shots in a whole new way. I can easily recognize and apply techniques used in productions, plan out complex sequences that would have made my head explode, and give more meaning and purpose to my camera positions and movement. With such a dense collection of cinematic techniques, this set is great as a reference and learning aid. I never had a single regret in purchasing it."

Eric Maslowski, Autodesk 3D Studio Max Certified Trainer, EGo Farms Consulting

"The Master Course in High-End Blocking & Staging is a valuable learning tool. The dvds are easy to follow, but they are quite comprehensive in their scope of material. It doesn't matter if one is interested in narrative filmmaking, commercial production, or even digital animation. The skills gained from this Hollywood Camera Work series will make anyone a better storyteller. "

Brian J. Harris, Unum Pictures

"As someone who has worked on several short films, documentaries, music videos and full-length feature films, and an active member of PixelCorps (on the Animation Team for Europa), I am completely blown away by the quality of the "Hollywood Camera Work" DVD Set. I don't think I've ever learned so much, even with over a decade of experience in the field shooting and editing video.

One word: wow."

John Flowers

"The time constraints and geographic limitations of my day job (Radiologist) make it impossible for me to get a "film school" education. That reality, coupled with a dogged desire to see one of my stories on screen, led me to The Master Course in High-End Blocking & Staging. Now, five weeks after its arrival on my doorstep, I've graduated six times and feel fully capable of tackling any project confidently with outstanding results. This summer I start production on one of my shorts, and then next year--a feature. All thanks to you, Per Holmes. This "film school in a box" has made my dream a reality."

Kyle Kallenbach, MD, Part-time Physician, Part-time Writer/Director

"The course has proven excellent! Unlike popularist texts on the subjects such as New Riders digital 'Cinematography and Directing' by Dan Ablan, the Visual experience of the Hollywood Camera Work Course re-inforces the practical aplication of the skill of planning cammera positions prior to shoot and general set awareness. As an animator there is very little available on the techniques covered by the course, ALIAS in their Maya tutorials only cover Camera Work on a few pages of their 'Maya Secrets Of the Pros.' If Kong was the Mokeys Bananas then Hollywood Cammera Work can only be described as the dogs whats-its. I cannot praise the presentation of so much practical information enough. Thanks."

Peter Stock, Creative Director, DiamondFountain Entertainment

"Hollywood Camerawork DVD set – This is a 6 DVD set all geared towards camera work. It tells you how to block your shots, compose your shots, how to create moods using only the camera and not relying on your cast. Think Alfred Hitchcock – he was a master at creating a mood just by using the camera. Many times he would tell his actors to just stand there and do nothing, and he'll take care of what needs to be done. This DVD set runs about $479 but when you compare this to a forty thousand dollar film school degree, it looks pretty darn cheap. These DVDs are incredible and will make filmmaking more enjoyable and more intuitive. This is a big must have."

Adam Rench, Author "The Indie Filmmaking Guide"

"I'm thrilled with the quality of information you've provided. Going from still photography into videography, I had no idea how complex the thought process is, in putting compelling moving images on screen to tell stories. This is not a subject that can be adequately covered in a book and there is too much to possibly remember from a seminar. With your DVD's I can watch them as often as needed or show them to my cast & crew to communicate what we need.

You've provided an outstanding resource!"

Steven R. Driediger, President, Parmesan Pictures

"Oh, if only they had shown this to us at film school!"

Jamie Waese

"Your Hollywood Camerawork - Master Course was really helpfull and a great input for the camera and the director's work process in our company. Thank you very much for the concentrated and vast information on this 6 DVDs!"

Georg Grunsky, SGX Filmproduktion, Germany

"In order to be successful, evey director must develop his own style, and in order to arrive at a personal style, one needs to know what the options are and have a basis for making creative choices. As a film and television graduate student focusing on directing, I have found the Master Course in High End Blocking and Staging developed by Hollywood Camera Work to be extremely helpful in explaining the full range of options available when shooting different scenes from which the most appropriate choices can be made. It provides a comprehensive in-depth examination of the many camera positions and moves potentially available to a director or cinematographer. The DVD set made available by Hollywood Camera Work, with its three dimensional representations of these many options, is remarkably easy to view and study. I am very pleased to recommend the course to others."

Richard Akel

"As a student filmmaker I recommend "Hollywood Camera Work" highly. The course is easy-to-follow and thorough and my confidence in terms of blocking has increased tenfold!"

Goran Spoljaric

"As an educator and technical trainer, I have found the Master Course to be of great value to myself and to the seminars and classes I use it in. It is to the point and the production quality is very nice. As an instructor for the non-profit New Orleans Video Access Center's new Digital Filmmaker Institute, we will be using parts of this program in our classes.

The information is invaluable and clearly explains how camera placement and movement have as much of an effect on the story being told as the actors and sound track to. It is also a great source of inspiration for those times when you're not getting a shot set up just right. I recommend it to anyone needed to learn very in-depth blocking and staging techniques."

Ben Balser, Apple Certified Trainer, Wolf Digital Media

"It's better than any physical filmmaking course I've taken. Superb presentation of camera technique."

Joseph Suowon, Axis Entertainment

"The Master Course in High-End Blocking & Staging is a great collection to have around. I learned a lot from it, and I know it will be useful for my future and upcoming projects. These are fast and easy lessons that I can watch again and again."

Romulo Cardier

"I want to thank you. The High End Blocking and Staging dvd set was really great. From watching all the dvd's it's clear that you put a lot of thought into the lessons and how to start with simple concepts and then progressivly build on them with each chapter. I'm currently working on my own 3d animation project, so I watched all the dvd's through once, and now as I block out scenes for my project I will watch a relavent chapter or two to help me solve a particular problem.

In fact after watching the dvd's I changes a few camera moves in the scene I was working on. It's tricky with Computer Graphic characters to properly convey emotion. I had a shot where a Fugitive character walks into a pub and sees the Town Constable sitting just inside, staring at him. The original shot was bland, flat. In the new shot, when the Fugitive character sees the Constable, the camera move gives you the strong sense that the Fugitive is uneasy.

I had previously bought and read four different books trying and failing to get the knowledge that your dvd's provide so clearly. The logic of how, when and why you would use a particular camera angle or move.

Thanks a lot!"

Bert Huntsinger

"I became aware of 'The Master Course in High-End Blocking and Staging' by way of an internet advertisement. I am a new comer to film and I am in the process of writing and directing a short animated film. At first I thought, 'why buy this product, how could this possibly be helpful since I am doing an animation film?' After a few doubting moments I decided to spend the money anyway. I was hopeful I might get a few ideas on how to make my film better.

I watched the 6 DVD's and was astounded at the quality of information covered in the 'Course' with regards to all the technical aspects of camera work. I discovered it makes no difference whether you are working with live-action or animation, a person can utilize so much of the camera work information from the DVD set and make their film better.

To my pleasant surprise I realized that its value far surpassed the amount of money I paid for the set of DVD's. I felt as if I had gotten a terrific bargain. And in return I have told many of my comrades to purchase the DVD set."

Stan Herrmann

"The Master Course is amazing. It's right to the point, clear in language and more than well worth every single cent. I knew from the first sight of the clips that I will never regret that I spent the money. Definitely a great Investment!"

Lorenz Mueller, Animator, 93Grad

"Within minutes of watching, I knew the quality of my work had just increased several times over. I have several productions in development at the moment, and each & everyone has benefitted through the information supplied within this course.

Quite simply put, this course is the business!"

James Lundy M.M.Inst.V, The Video Company

"If you are serious about this field then the HCW set is must have on your desk."

Ashish Rastogi, Freelance 3D Animator, Admin of CGArena.com

"Your videos are brilliant. I would not hesitate to recommend them to anyone seeking to better understand the language of cinema. As a professional artist in the video games industry, these videos are an invaluable tool for evaluating the clarity and impact of the images I create. I watched them with my brother who told me that he learned more from Hollywood Camera Work than he did during his entire time in film school. Great job! I look forward to your next release."

Simon Craghead, President, Dark Mansion Media

"Simply put, NOTHING illustrates effective camerwork techniques like Hollywood Camera Work. I've watched the entire course several times through and learn more from it everytime. It has been an essential tool in my development as a commercial director and I use the techniques I've learned in this course on every shoot. Excellent, excellent, excellent product that is worth 10 times more than than the cost."

Matthew Guerra

"Thank you so much for putting this together. I live in San Antonio and film work here is rare. Following and practicing the set-ups in your DVD set are just about the only opportunity filmmakers here have to experience advanced camera staging.

I watched the whole thing from start to finish and was blown away. It's like drinking from a firehose. Now I am in the process of rewatching each volume over and over. I set up my camera and dolly and practice each shot and each move. Use the online resources! Grab a couple friends or manequins and shoot the set ups. The sample scripts will get you through each set up and are an amazing aid to helping you set up your own. No teacher or classroom environment can be as comprehenvise as Hollywood Camera Work and no work environment will ever be as patient. Buy it!"

Andy Miller

"At 47 years of age, I wish I had the time to go to NYU Film School, but I don't - (I have too many deadlines). The Master Course in High-End Blocking & Staging is an incredible tool that fills in all those gaps in whatever intuitive film making sense I may have absorbed over the years - without formally studying film making. I can see though, how it would still be invaluable to any pimple-faced film school grad who thinks he knows everything he needs to know. Thank you, Per Holmes! "

Jim Morlino, Audio/Video Producer, Legionaries of Christ, North America

"I've been watching the DVD's and have enjoyed them immensely. Thank you for this great educational advantage that is not covered at all in any school offering cinematography. You only get any of the information and techniques you have laid out and explained by osmosis while on an actual movie set....you hope!"

Daiquiri St John

"I couldn't be happier with the Hollywood Camera Work course. The lessons are direct, concise, and packed full of information. As an aspiring filmmaker, I thought I knew a bit about blocking and staging. The first thing I learned from the course is how little I actually knew. The methodology used -- expressionless animated characters -- was a stroke of genius and really lets you see the effect of the camera at work in enhancing emotion.

I can safely say that this course has saved me years of painful trial and error; it's the best money I've ever spent in the pursuit of filmmaking excellence and I know I will be watching the DVDs over and over again. Thank you for a great product."

Darren Miller

"Quite simply, this course was the 'thing' I was looking for - and never thought existed. I can think of no better way to learn blocking and camera work."

Joe Shaw

"The Master Course in High End Blocking and Stagipng is an incredible tool for any director. It's simple, direct, covers all the bases and opens up a lot of doors. I wish I'd had it sooner but I'll settle for all it's taught me now."

Gordon Hunt

"Since Buying Hollywood Camera Work we have found it to be a great teaching and reference tool, we look forward with anticipation to the new package Visual Effects for Directors. "

Tyrone Murphy, Classic Media Entertainment

"The Hollywood Camera Work series taught me how to block, how to think through not only the physcial placements of actors, but the emotional impact I can make by creating that right shot. I learned so much from focal lengths, to jib placements, to getting the most out of one camera placement. Anyone who wants to direct, toss out those books and buy this series."

Charli Gulley

"The Master Course in High-End Blocking and Staging has absolutely blown my mind. The level of detail is amazing and I still can't get my head around how much information has been packed into the course. It's hell for leather from the way 'go' and it never slows down. I've watched it through once now and I'm itching to start again. This will keep me occupied and entertained in equal measures for a long time. "

Antti Poussa, Filmmaker

"Hollywood Camera Work provides more in-depth learning and is truly a great critical study of the art of blocking and staging. The set is well worth the investment for anyone interested in filmmaking."

Phil Planta, deLeon Photography

"The Master Course in High-End Blocking and Staging has absolutely blown my mind. The level of detail is amazing and I still can't get my head around how much information has been packed into the course. It's hell for leather from the way 'go' and it never slows down. I've watched it through once now and I'm itching to start again. This will keep me occupied and entertained in equal measures for a long time."

Antti Poussa, Filmmaker

"I bought this set because my teacher talked favorably about it in one of his classes. I can unequivocally state that for the price, this DVD set is a steal. I am a film student now learning the basics of filmmaking. I can tell you that I learned more watching 2 of the DVDs in this package than in one year at the school (no kidding), and I still haven't watched all the DVDs. If Hollywood Camera Works had asked me $1000 for this package it would still be worth it because you can keep this set as a reference for many years to come."

George Kouyoumjian

"As a screenwriter I will step into the director's chair at some point in my career. As part of my development preparations I want to ensure I have a solid understanding of the craft so that I can establish an effective working relationship with the creative team. I found the 'Hollywood Camera Work' series to be an excellent resource in this regard."

Harold L. Brown, Producer, Storychaser Studios Inc

"It's a great course, you can learn at your own pace, easily understood and practical."

Daniel Alonso, Director, Mexico, Pasumecha Producciones

"The Master Course was very thought-provoking. It has hours of lessons. It forced me to look at my blocking issues in a totally new way. I constantly use the course as a reference guide."

Tom Balsamides, Producer / Writer / Director / Actor), IndieFilms

"When I came across your web site I was contemplating to take a break from my job and go to a film school. After going through six DVDs of Hollywood Camera Works, I have changed my mind to study the filmmaking techniques by myself. These DVDs are good stepping stones. Now it's up to my dedication and commitment. Most of the film schools (now a days) may not deliver this much. "

Satheesh Kumar

"There is no faster way to raise your skill level!! It's "total immersion"."

John Tulin, Certified Mac Pro

"The Hollywood Camera Work box set is packed with so much information that it may be the single most important item in my film making kit. And that includes my camera."

Chris Paredes

"This is the best tool ever."

George Marusca

"I am self taught in film and video as I am not able to go to film school. I have been looking on the internet for different ways to get the education I need. I found this website and saw the demo chapters. I had to order this course. Most of what I have learned previously was through instructional books and internet forums. But your course really laid it out for me. I have a new understanding and confidence when I approach film making. I look forward to the next course that you release as I am pretty much getting to "go to film school" now."

Jason Coblentz

"The Master Course has been an amazing investment. My short films now have a cinematic quality that makes them stand out from my peers. Indeed many of the techniques I'm now able to use aren't even known by degree graduates, so I'm finding them asking me for advice! Great work, I can't wait to see more titles from you."

Jon Walker

"I think the Master Course in High-End Blocking is exactly what the doctor ordered. Especially since I am very limited on time. The videos get right into the meat of the subject and is very easy to understand because of the technology and graphics that are used. The videos go over a wide range of shots one could capture to add value to his or her production. Thank you!"

Daniel Lizalde

"In these times, it's rare to encounter a professional product as exceptional as you and your staff have created. Being in the field of cinematography for almost thirty years, I thought I knew much concerning blocking techniques. I can honestly say I've never seen a better training tool on the subject as yours. I would have paid 10 times the price of your product to attend a seminar to gain the insight that is revealed in these courses. No matter who you are or what you "think" you know, I promise you can pick up plenty form this course... it's simply a must have!"

Jimmy Young, President, Newcomer/Young Productions

"I am very impressed with the step by step approach of this very complete video set. I view it over and over, at any location - on the train, at lunch, even prior to shooting. Versatile and good reference, indeed."

Lihan Chen

"I found in the Master Course a great tool to keep developing myself as cinematographer. I feel I have learnt and understood a vast quantity of new things and techniques that certainly will be an enormous help in my career. Without excluding credits to books or others sources of information, I think this method with hundreds of examples in High-End Blocking and Staging is the quickest to comprehend the enormous amount of knowledge and skills the Master Course offers."

Marco Mora, Cinematographer, DP.

"I am very pleased with your program The Master Course in High-End Blocking & Staging. It has cut years out of my learning curve. The graphics are excellent and every shot is explained in a crystal clear manner. This is a great program and I highly recommend it."

Darren Hale

"Shooting your first feature is a daunting prospect. That's why I purchased The Master Course in High-End Blocking and Staging. It was money really well spent! Not only has it given me confidence knowing that I'm on the right track, but it has saved me hours of wasted time with story boards. I can communicate to my DOP what I'm trying to achieve clearly and easily, and adjustments to blocking are a snack. I highly recommend this finely crafted course. I've learned more about blocking from these DVD's than in three years at University."

Warren Ryan, Writer/Director, Shadows of the Past

"I come across so much stuff that doesn't have the caliber as your course does. I find the course invaluable for aspiring DP's as well as professionals. The in depth coverage of the different camera work is remarkable."

Jim Moore, Video and Photography for the Performing Arts, Moving Pictures Collective

"Hollywood Camera Work's excellent "Master Course in High-End Blocking & Staging" has been invaluable to me as I build my career in the industry. As I currently work on the business side of things, one might not think such a deep and technical course in production would be of much use. On the contrary, I have found that watching these DVD's have given me a new appreciation and understanding of the art of production and a solid basis for communicating to the creative element.

As a writer, this course has given me a new confidence in visualizing the scenes I imagine, and, In the future, when I do plan to transition into directing, I am quite sure I will re-examine and refer to these comprehensive lessons frequently. Additionally, the staff at Hollywood Camera Work were incredibly helpful and efficient. I recommend this course to anyone in the business, in any capacity, who wishes to deepen their understanding."

Max Gilford-Smerling, Lakeshore Entertainment

"I've been directing commercials for close to 20 years. I've always been on the lookout for a complete and concise course on Blocking & Staging. Fortunately, Hollywood Camera Work has done a great job, they have created the definitive course on Camera Blocking including cranes and dollies. "

Tomas Hernandez, Producer/Director, TV Commercials

"I had a great time with the Master Course and I have a great time again with it repeating all lessons currently. This time I do this without the commentary. So I sink all sophisticated blocking and staging in my subconscious. I think with this Master Course you have a real good chance to improve your film directing abilities onto a high level."

Hans Georg Nenning, Actor and Film Director, Vienna

"I just wanted to take a moment and thank you for producing the Hollywood Camera Work DVD set. I am only now midway through the course (completed disc 4), but I have learned so much about using the camera to create emotion. I don't think I ever really considered the non-technical 'science' behind good camera work. My only regret is that I did not learn about this course before my first attempt to make a movie. There are so many things that I would now do quite differently that would have resulted in a far superior production. Again, thank you very much."

Gaines R. Johnson, Broadcast Engineer & Senior Foreign Service Officer, Indy Filmmaker in spare time, Kuwait

"The DVD's are great! It is very evident in how the material is presented, especially the well thought out narrative. It has opened my eyes to how video is meant to be captured. Keep up the great work!!!"

Glenn Abcede

"Making my very first feature and having tackled a hotrod period film no less than 130 minutes long no less, I knew I was up for a big challenge. Having never been to film school I was very worried I would fail getting adequate coverage for my scenes. I needed to learn how to do this properly and needed to learn FAST. Local film schools were time consuming, expensive and did not provide the crash course I needed. I didn't have time to spend 2 years to learn how to block and film a dialogue scene. I have to start filming in 4 weeks.

So when I heard about the Hollywood camera course, I bought it on the spot. The 3D images really helped me visualize things and wrap my mind around the concepts and I found the course to be well organized, very informative and extremely time efficient. I had to buckle my seat belts because it is very fast paced. At times I was a bit overwhelmed.

There is so much information it can be a bit overwhelming. I would stop and replay the same section several time until I got it down. Afterall I have never done anything like this before. But in the end I was able to fully understand the fundamentals of scene blocking and camera angles and movements. Not only that but the next films I watched I could see all of the theory I had just learned at WORK in someone else's motion picture. And I would comment: "Ah! That's an internal reverse. They used a long lens on that shot... Here, they used foreground objects to create parallax" etc etc...

Having completed the course, I am now watching it a second time to make sure I have fully assimilated everything. I now feel confident tackling the production stage of my film.

This is a GREAT value for the money. I am very glad I bought it. I recommend it to anyone, especially people like me, who are self taught, DIY, aspiring independent film makers. This will save you a lot of trouble the day of the shoot!

THANK YOU for making such a great product. I hope I make you proud when my film comes out!"

FAITH GRANGER, Filmmaker, Deuce Of Spades Movie

"The Master course was vital in shooting our reality show, as well as, our cooking show. It was in great detail and easy to understand. I recommend this course to anyone who wants a deeper understanding of making great footage. "

Joseph Pothen, Masti Media, LLC

"WOW! I've only been through the first disc and it has endless amounts of information to study, just the FIRST disc! I was amazed at how camera movements and placement of the camera can create emotion! I was in awe through the whole thing! THANK YOU!!! Rumaldo Holguin, Designer, Digital Matte Painter"

"First, I'm french. That's not really a problem but of course we think we are different (that is to say better) and I was not sure that American people could teach me any kind of useful advice. Then, I'm a beginner as a filmmaker. My experience is at this stage limited to real life reportages. I am preparing a short story for the middle of 2008.

But let me tell you than even for reportages, I am now using extensively the information I got in the Hollywood Camera Work Master Courses and as a matter of fact, my reportages are really better. Many thanks to you and your courses. Hope you will see my work one day or an other."

Jerome Salord

"Just a little word from Gravestone films. I have to say this Master Course is by far the finest course I have ever used, far superior in every way, explanation, theory and example, even auto suggestion, to arm yourself with more theoretical ammo than you will ever need. Hollywood Camera Work, my hat is off to you, and I say thank you to all the people involved in the production of this most excellent course, I feel privileged that I was able to access this material and look forward to any future learning product put out from this fine company."

Marcus Smith, Gravestone Films

"Hollywood Camera Work is so thorough that it would be wise for its viewer to watch only a clip at a time, take notes in order to absorb the information and then move on to the next segment. Furthermore, if you let it seep into your faculties, it can help you to devise and organize shot selection and meditate on the edited product even before you shoot."

Juan Alvarez

" I purchased the "Master Course in High-end Blocking and Staging" on a recommendation in a book I read. One can never be certain of what these things are. For the most part the majority of "how-to" references rarely do little more than re-cycle what is already out there. However, like the classic "Grammar of the Film Language," this master course is simply outstanding. It communicates in the very medium for which it is intended. If the goal is to transfer knowledge, there is no question it succeeds. The only issue is that you have to curb your excitement and walk instead of run through it. As far as value, it is certainly worth every penny I paid. It is and will continue to be a valuable reference. And that is something I cannot say about most of the "stuff" I've purchased in this subject area."

Mark Willner, Angel Station Corporation

"Watching Hollywood Camera Work is like taking several classes in blocking: The amount of the provided knowledge enormous. It's definitely worth the money and I highly recommend it. "

Jan Becker, Director/Producer, Blue Tree Productions

"As an actor, Per Holmes's course has been invaluable to me in broadening my industry perspectives and gaining an insight into the concerns of those behind the camera. I'm sure everyone will find this excellent training tool to be useful to them."

Napoleon Ryan, Actor

"Amazing set of videos! I've spent the last 5 years producing, directing and filming and thought there was nothing left for a book or video to teach me - I was very wrong. This is NOT just another superficial repeat of "crossing the line" and "3 camera lighting set-ups." Per's video set goes in depth on composition, camera movement , dollies, cranes - basically, this is the BEST resource I've ever come across. Thank you! I'm excited for my next project. The videos went beyond a static lesson and have inspired me to set-up more imaginative and elegant shots. Excellent!! "

Eero Johnson, Video One

"This is sincerely the best camera training DVD's on the market. If you are a director, animator, or work in Film or Entertainment Industry in any capacity and want to learn how it tell a compelling story the right way, using the right camera techniques, you owe it to yourself to get the Hollwood Camera Work DVD's. They are clear and concise, and the best part is you see it in all in action. They are absolutely designed for every skill level just like it promised. Don't think about it, just do it and spend the money! This is A+ stuff baby if you really what to become a professional. This is one of the few times I have ever written a review with this much passion about a product. I can hardly wait for the Special Effects DVD's."

K'ankh, Portal Moon Studio,Inc.

"Buying the course was the best thing that I have ever done in my directing career. It was more than helpful, simply solved all of my blocking problems, and gave me more confidence. The course is full of secrets that no one can find or know except after many years of experience. Thank you for your great effort."

Tarek Abdel Salam

"While I am no stranger to cinematic camera work, the Master Course in High-End Blocking & Staging has not only deepened my understanding of the cinematic language, but has taught me in such a way that I feel I have learned a whole new vocabulary.

Not only does the course explain things in an understandable way, but it builds and renews your understanding from the ground up using the basic concepts and motivations behind everything which you learn how to blend seamlessly together, or take apart for any given need when constructing a scene.

There is no doubt in my mind that I am a better director and filmmaker because of this course. I would also consider it an excellent learning tool for actors to understand how the camera work helps shape their performance. Having a solid understanding of what's going on around them will definitely help an actor be able to feel more comfortable with the way their performance is being translated to the screen.

I would recommend the Master Course in High-End Blocking & Staging to anyone who is serious about taking their productions to a higher professional standard, and growing their confidence, abilities, and potential as a director or filmmaker."

Neil Rowe, Rowe Cine LLC

"I have only looked at a number of the chapters on different DVDs and a few things hit me square in the head. First off, I NEVER realized how much thought, planning and work went in to staging a "simple" scene. It's truly amazing.

I also realize how much work YOU put into creating these DVDs. For example, the chapter on different focal length lens helped me understand, although I knew about focal lengths in photography since my dad was a pro and taught me a lot of that kind of stuff, how differently a scene can come across based on the impact you're trying to create.

Finally I realize how little I know about this whole area and how much more I need to know. I feel like the DVDs give me an insight into film making that I could only get at the side of a real Hollywood Cinematographer or Director. Thanks for all the work you put into them and good luck in the future!!!"

John Orban

"The Hollywood Camera Work DVD set is really great and FULL of useful information. Just one section from one DVD is abundant with info. The use of 3D actors is a creative way of teaching. The user really gets an unbiased feel for each shot because of the lifeless 3D actors. I would highly recommend this DVD set to anyone from amateur to professional."

Katie Kosko

"Based on only having watched the first disk, I'm thrilled with the DVD's, however that's the only one I've really had time to watch so far! I like that you use computer animation instead of real people, as it demonstrates how camera angle can create emotion without having to rely on actors. It's a well-designed tool that will be useful in all our future projects."

Rich, CinemaWest Productions

"These DVDs are the best filmmaking learning tool I've ever used, in any format! I'm a new student, and these DVDs opened up a whole new world of camerawork. They seemed to cover every imaginable camera technique.

The animated characters are expressionless -- there's no "acting". So in each lesson, all the emotion comes directly from the camera angles and moves. It's a great way to isolate the emotional impact of different camera techniques.

I like that the lessons are highly structured -- I know where to look, when I need to review. And they're precise and economical -- no filler.

One caveat: For me, watching these DVDs brought up many, many questions regarding lighting, and lighting just wasn't covered here. Can we have a lighting course next?? Thanks for a great course!"

Paul Dauben

"Where were you and your DVDs four years ago when I made my first film!? What you have done is precisely what fledgling filmmakers need, particularly those who wish to forego film school. I haven't been able to get past the first dvd, but I am very excited about what I have seen thus far. I can clearly see that with your DVDs a filmmaker can set foot on his or her first set and every set thereafter with confidence. I have made three shorts: a 15 minute short shot on miniDV, a 6 minute short shot on 35 mm and most recently a 20 minute short film shot on Super 16 mm but filmed out to 35 mm to quality for the nomination process for AMPAS."

Woody Wichard

"Watching the set of six DVDs was a real revelation for me. I am currently studying filmmaking at a local college. I have not taken any classes specifically focused on camera work and there are no classes of that type offered at my college. Film production and directing classes cover a few very basic camera techniques but for the most part focus on frame composition and lighting theory.

This DVD set covers in detail what you have to do with your camera or direct cameras to do to actually make those theoretical frame compositions come to life. It also expanded my camera technique vocabulary by about ten fold. I plan to provide the crew on my next project with a list of terminology so that we are all talking the same language i.e. are on the same page. I hope this will be one more thing that will make the production run more smoothly and efficiently."

Bari Boswell

"The Master Course has been phenomenal for me. The individual chapters are well thought out and clearly explained; plus the addition of the online exercises are extremely helpful and challenging. Not only am I creating blocking diagrams, but I have gathered some actors and we are shooting the exercises! Giving the actors more experience in front of the camera and me more experience working with actors and applying the blocking in a real world setting. I tell everyone I know about the program. Thanks Per for the great work!"

Dariush Khansari

"A great learning tool! I just completed an intensive 4 week film workshop and this is the perfect follow-up course to supplement my learning thus far..."

Anjani Edwards

"This course is, I think, the absolute best, awesome and exhaustive course on camera work! I didn't know there was so much to know!

I can't find another course this complete and a bang for your bucks! Courses with a live trainer can never go into this much detail, and they usually cost 5 times more!

I also love the fact that I can rewind, revisit, fastforward, skip things at my will and pace, any time that I'm ready!

The instructions and explanations are the epitome of clarity, straightforwardness, easy to understand yet deep and insightful! The 3d animations only add to this. No fancy unnecessary distracting graphics, bells and whistles. No BS!

Big thanks to the hollywoodcameraworks team for putting this together, it has added a lot of value to my films!"

William Truong

"The Master Course in High-End Blocking & Staging is a Master Course indeed. The information contained in the set is invaluable by itself, but the actual illustrations of both the correct execution combined with weak technique brings with it a numbing pace of comprehension. I would recommend this set for anyone remotely interested in film-making or film production."

Ken Johnson

"I've found the The Master Course in High-End Blocking & Staging to be an invaluable tool in helping to improve my understanding of camera use. It's thorough, easy to understand format, and outstanding visuals makes it the ideal tool to use in pre-viz'ing my moves on the set, regardless of whether its a budget-free short film, or a mid-budget feature I'm shooting!"

Nicholas David Lean, Writer/Director, Hotel Caledonia, Hard Shoulder

"The Hollywood Camera Work DVDs are not just a great tool for Directors or DPs, it also helps actors understand why a Director is blocking a scene in a certain way. The workshop teached me to do my work much better and took me on a new level of acting. I can recommend the HCW DVD-Bundle every actor who is interested in improving his skills. "

Ivan Robert, Actor, ZOOM-Entertainment GmbH, Germany

"Hollywood Camera Works The Master Course in High-End Blocking & Staging is great for professionals and new people who are getting into Film making to have it in your library of courses."

Sonu Chahal, Producer, Director, Actor

"HCW is the best learning tool I know of to understand camera blocking. I've read a lot of film directing books, and none of them get even close to the amount of information I got watching the HCW DVD's. Thanks Per for creating such a great tool, I look forward to any new products you create."

James Garcia, Film Student

"I must let you know that as a professional in the business for some 20 years, I think this could be one of the best investments I have ever made besides my camera! What a useful tool, presented in a no nonsense easy to understand set.

I have wanted something like this for years. Because of the pace that the information comes at you you're not bored or bothered by the stuff you already know. The new ideas are clearly presented with good background and interweaving post production consequences. I could go on about the set but I'm only through the first 2 discs and can't wait to see the rest. Thanks you again for such a well done product. "

Lawrence Gress, ProGress Productons

"I'm new to the world of 3D computer animation. And while there's a plethora of instructional material on how to utilize all the various software applications out there, there's only one choice when it comes to directing/staging/blocking. It is all too often a subject overlooked by 3D artists who are too overly obsessed with creating eye candy, that they neglect the strategic importance of thoroughly planned camera work.

After watching through all the "Hollywood Camera Work" instructional DVD's (a couple of times), I now know I will not succumb to this pitfall, as my scenes now ebb and flow with the continuity that you'd expect from the big boys... Kudos to Per!"

Brendan Hogan

"This course is simply the single best film study course I have gotten. I have a whole library of all the books and workshops, etc. but it wasn't until I purchased this course that I really felt like I might be able to do this stuff myself.

I am an amateur film enthusiast who has always been interested in trying to make a movie. However, I was becoming more and more frustrated after reading all the books and being overwhelmed in trying to visualize what it all meant with the diagrams and pictures.

Now actually being able to see how all the shots and set ups look in 3D is tremendous. This course is EXCEPTIONAL in illustrating the how-to's in a clear, fun and easily understandable manner. I congratulate you on this and am thankful for the knowledge."

Rich Dunn (soon to be filmmaker)

"The depth of what you learn here is amazing. I discovered new things about shots I'd been using for years -- new shots I'd never even thought of."

Ed Nammour

"Hollywood Camera Work really opened my eyes. It's a great pool of knowledge for filmmakers of any kind. The complex material is explained in a practical and catchy way. Extremely recommendable."

Philippe Weibel, Director and Producer, Switzerland

"Working as a film editor demands a clear knowledge of the emotional impact of different shots. Hollywood camera work provided me with an excellent overview of the directorial decisions involved in staging a scene.

It also provides a good approach to understanding moving camera work and the opportunities for editing moving sequences. I would recommend it to anyone involved in editing films who is seeking to learn more about this subject."

Ron Milestone

"Hollywood Camera Work is the most comprehensive, detailed, and practical work I have ever encountered on the subject, and the computer generated models clearly covey abstract concepts in a way no book could ever match. If you're only going to buy one work on the subject, make it this one."

Robert Romeo

"I have been a professional videographer for 20 years and figured it would probably be about the third or fourth DVD before I really started learning anything. Wrong! From the first disc on you will find practical instruction that is a mile a minute. There was so much information that I found myself pausing it often just to let my mind catch up. Highly recommended!"

Jason Prisk- President/Producer, Glassworks Media, Atlanta, GA

"American film director Robert Rodriguez once said: 'You should never go to film school. Everything you need to know about film you can learn in a week'.

But he forgot to mention one very important thing: to pull off this feat, you definitely need Per Holmes' DVD set 'The Master Course in High-End Blocking & Staging'.

It's a top-quality product. And it comes with top-notch customer service."

Bart Gouhie, Producer/Director, Impact Documentary Films

"The Master Course is a flat-out REQUIREMENT for any serious director. Its strategies for breaking down scripts to get the best shots in the most efficient way possible is not only a massive way to relieve stress, but also a fantastic way to create an effective story. I have never felt more prepared designing shots than I have after watching the Master Course DVD set. I can't wait for what they might come up with next!"

Mike Blankier

"I am writing to Thank You for your incredible work on the Master Course in High End Blocking and Staging. I have been producing videos for several years now and was ready to take our work to the next level. This course was exactly what I needed. It developed my awareness of many issues to a much higher level. Our production values have increased dramatically and several compliments have come in regarding the overall "flow and feel" of our work. I have to thank your course for that.

I recently purchased your Second Course (Visual Effects for Directors) and have just begun working my way through the DVDs. So far I am as impressed with this course as I was with the original.

Thank you again for taking the time to develop such an incredible and in-depth course."

Bill Wilson, Always & Forever Productions, Inc., Las Vegas, NV

"As a producer / director, I'm constantly looking for ways to increase the quality and efficiency of my creative choices. Whether in pre-production or "on set", using the palette of information contained in this series has allowed me to make better "on-the-fly" decisions. Hollywood Camera Work has reduced my need to experiment and when it comes to the subject matter, these DVDs get straight-to-the-point.

The Master Course In High-End Blocking And Staging contains so much "how-to" information you'll want a personal copy as a reference for your own library. Whether you've attended the most expensive film schools in the world, worked in the film, video, 3D animation or gaming industry for years, you will still find this series extremely valuable as part of your toolset. There is so much detail in this series it's likely you will never be able to use all the potential blocking scenarios provided in this program. It's simply the best instructional DVD series I have seen on the subject.

For my company it's become required viewing for anyone involved in the pre-production process of our films."

Robert A. Brubaker, Producer / Director, Resonant Image

"Hollywood Camera Work is the only program that covers the "Why" behind every tool in a filmmakers arsenal."

Daniel Reifenberger

"Hollywood Camera Work is amazing, very informative and I've learned a lot. Now I'm here in my the Philippines doing my first full length movie. "

Chris Clapano

"Hi, I am the Director of 3D Animation Course in Hong Kong Shun Tak Fraternal Association Yung Yau Collge. We are the first Hong Kong School to put 3D Animation in normal cirriculum, but I don't know how to teach my students about the use of camera, the Master Course in High-End Blocking & Staging give me a whole picture in the camera moving, and the animation format is more easy to be understood, I am very happy to use this. "

Owen Chan Ka Chun